Are you are on the hunt for the best headphones for music production?
If that is yes, then you have come to the right place.
Headphones for music production, a.k.a the Studio headphones, are purposely designed for professional work.
These headphones are a vital monitoring tool for music production, recording, mixing, and mastering, and all you want for tape mixing.
They are more accurate because they have a flat frequency response and a transparent sound. In short, they are designed for accuracy, comfort, and durability.
Studio headphones are probably one of the most often used items in the studio for assessing the stereo image low-end and fine detail within a mix.
The best music production headphones for you will be the ones that you can mix on the produce a result that will sound good wherever you play it.
Depending on the design, studio headphones provide isolation from the surrounding environment. They are built for comfort during long sessions.
The two main types of studio headphones that you will come across are the open-back and the closed-back types.
Like studio monitors, getting the right pair of studio headphones is a personal choice and depends on the factors that you consider most important when you are mixing.
In this article, we have done the heavy workload for you to test and review the best headphones for music on the market right now!
But, for now, let us look at a quick rundown summary of our top 5 picks of the best headphones for music production.
Beyerdynamic DT 1990 Pro
These are professional grade cans that anyone will enjoy listening for hours to due to their neutral sound and resolution and they strike a balance between being built like a tank while still being comfortable.
Best for Monitoring
Audio Technica ATH-M50X
These are a great pair of portable over-ears studio headphones. They are big and chunky, sure, but they also offer some of the best sounds you will find an excellent value for your money.
These are great quality immense sounding reference headphones for the money. They are also durable, comfortable, a true workhorse, and very reliable.
Best for Audio Engineers
Sennheiser HD 650
These headphones are versatile, well-rounded, and have been specially designed to offer a natural sound image, making them an excellent choice for audio engineers.
Sennheiser HD 280 Pro
These headphones provide professional features, good sound quality, comfort, and noise isolation at a great price.
- Best Headphones for Music Production
Best Headphones for Music Production
1. Beyerdynamic DT 1990 Pro – Best Overall
The Beyerdynamic DT 1990 Pro is a solidly built headphone that delivers detailed, accurate frequency response capable of reaching down for deep low in the mix.
With removable ear-pads adjusting frequency responses you get both work and pleasure out of the headphones. They are glorious and one of the best headphones you can buy.
- Amazing comfort
- Excellent build quality
- Breathtaking resolution
- Two detachable cables included
- Replacing the ear-pads can be annoying
- No line remote or mic on included cables
The Beyerdynamic is German audio equipment engineering and manufacturing company that has been family-owned since it was founded in 1924.
This Company has a history of creating some of the best sounding audio devices on the market, their preceding headphones are known for their superb build and sound quality.
The engineers at Beyerdynamic found a way to combine analytical detail and musicality and constructed an incredible pair of cans known as the Beyerdynamic DT 1990 Pro.
These are circumaural headphones intended to be used for recording and mastering. They use thick, replaceable cables featuring high-fidelity connections and an open-design that provides an excellent sense of space.
Beyerdynamic DT 1990 Pro is one of their top-end headphone products and it uses a dynamic style driver which was designed in-house and is called the Tesla driver.
They are quite comfortable despite a massive build with a great audio performance which is remarkably accurate. With a flat response that does not ignore the deep bass mixes but avoids obvious boosting and cutting.
A point to note is that these do require a headphone amp, power unit, or mixing desk that can give 250 ohms for them to perform well.
Design and Comfort
The build quality of the DT 1990 pro is simply fantastic and they will feel wonderful in the hands and also on your head.
The metallic logo on the black aluminum cups looks very elegant combined with the black and dark gray tones that give way to small ascents like the white stitches on the leather headband.
In short, the black-color scheme is minimalist and screams serious audio gear.
These headphones do come with a bulky, fully open-back design and huge velour-covered ear pads and feature a lot of metal, from its beefy ear cup forks to its open-back driver grills.
The driver grills have a silver-colored mesh, breaking up the all-black look and making the Beyerdynamic DT 1990 pro very handsome.
The headband is made of plush leather and distributes the headphones’ 370-gram weight evenly across the top of your head.
Earpads are made from memory foam and wrapped in gray velour, which is very comfortable for long listening sessions.
There are two sound profiles available with the Beyerdynamic DT 1990 Pro, depending on the ear cups foams you choose to use; you get either a well- balanced tuning or an analytical tuning.
While the design is quite massive the clamping force is pretty neutral and the fit is secure and comfortable, even over long listening sessions.
The connector is also a removable mini-XLR which can only run an unbalanced signal configuration.
Since these headphones come with an open-back design, the DT 1990 pro is meant to be used at home in the studio for serious analytical listening.
Soundstage depth is so good allowing the listener to pinpoint the exact location of where each instrument is playing.
“One thing you have to keep it in mind that these headphones do require a good amp to get the most out of them.”
The bass performance is great for a dynamic driver with the headphones having a pretty neutral sound characteristic, with a slight dip in the mids taking it into a range of V-shaped headphones.
The overall sound signature is bright and clear, with a wide-open stereo image and sense of space. You get the subwoofer like depth of low but it is not necessarily pushed forward in the mix.
Included in the case are two sets of earpads, an A version that features a neutral frequency response and a B version with a slight bass boost.
With the enhanced bass ear pads in place, they deliver a hearty low-frequency response but still sound accurate.
The DT 1990 Pro comes pre-installed with the B pads out of the box and there is an obvious slightly elevated bass with the B pads which you will not want to use for serious analytical listening.
The bass is the highlight of the headphones, providing great slam, speed, and depth.
The A pads balanced out the sound signature of the making them excellent studio monitors.
Highs are equally excellent between the two pads, providing a ton of resolution in the upper frequencies.
There does not seem to be one aspect of the frequency range that is widely favored over another and straight out of the box the DT 1990 pro needs around 200 hours burn-in for it to sound optimal.
When it comes to the soundstage, there is still a large amount of room and space to the headphones that allows for some precision and quality planning of signals.
What we like
- Comfortable fit with removable ear-pads that offer slightly differing sound signatures. This gives the headphones a dual personality.
- The resolution they provide is simply amazing with exceptionally accurate audio performance and rich bass depth with detail and clarity in highs.
- Its open-back design may not be great for wearing around town, but it provides an expansive sense of space and imaging while you are at home listening to music.
- Weight; 81lbs
- Type ; open back
- Cup style; circumaural
- Frequency Response ; 5Hz-40kHz
- Driver ; 45 mm Tesla Neodynamic Drivers
- Detachable cable/type; yes-mini XLR plug
Connections and Accessories
It comes with the usual hard-shell case for transporting the headphones
Two high-quality cables; one cable is 9.8 feet and straight and the other is 16 feet and coiled. Both cables terminate in 3.5mm connections, and there are two screws on 0.25-inch headphones jack adapters in the box.
Two sets of velour ear pads, both with different sound qualities one a detailed set and the other with a balanced sound quality which adds a little more bass extension.
What is the Bottom-line?
The Beyerdynamic DT 1990 Pro features stunning resolution, soundstage, tight bass, and detail which make them a true reference grade quality headphone.
They are not only built like a tank but are also comfortable enough for long listening and gaming sessions.
They also include two sets of different sounding ear pads so listeners can tailor the sound for different tasks. This makes them a great value for money for those looking for audiophile headphones that sound great with all types of music.
2. Audio Technica ATH-M50X – Best for Monitoring
Audio Technica ATH-M50x is a classic headphone given just a little tweak to make them play nice with phones. They are living with an extra hit of bass and make for a predominantly involving listen.
- Quality Build
- Removable cable
- Comfortable to wear
- Relatively affordable
- Excellent punchy bass
- Not neutral sound
- No wireless option
The Audio-Technica ATH-M50x professional studio Monitor headphones have been hailed as being great sounding and offering outstanding value.
They are simply wired headphones that don’t have Bluetooth or active noise cancellation. No-fuss portable over-ear headphones with good sound but they are not exactly neutral.
These are the perfect music production headphones if you want one that is affordable with involving soundstage and plenty of energy and a powerful bass response.
In short, they are a fun, solid, and engaging pair of headphones.
Design and Comfort
The ATH M50x build is mostly out of plastic parts aside from the band of metal inside the headband and a few little metals inside the headband and a few little aluminum highlights.
Although it makes from plastic the headphones feel like quality and strong enough to withstand a lot of punishment.
The padding of the headband and on the earcups is thick and plush and is made from synthetic leather. Overall, the padding material on the headband is soft and decently padded.
The headband also offers a wide range of size adjustment to fit most head sizes, you will get decent clamping pressure and a good fit that will ensure that you get good passive noise isolation.
The headband has metal included which makes it flexible to wear and the earcups can also turn 180 degrees to rest flat on the table or flat on your chest making the headphones compact.
This Portability feature is a big plus attributed to the Audio-Technica ATH-M50x and the fact they are comfortable enough to be worn for long periods.
The ATH-M50x have do have a larger profile than a lot of the urban style headphones but they look stylish in their way with the brushed aluminum ring and the simple logo on the ear cups.
The removable cable is one of the differences between the original ATH-M50 and the newer ATH-M50x.
There are three cables in the box, one for portable use and both coiled and straight longer cables for home listening.
The headphone connector is a 2.5mm and features a groove from a twist-to-lock mechanism which is proprietary.
Keep in mind that these are not wireless headphones and they don’t have active noise cancellation or integrated DAC.
The soundstage of ATH-M50X is good for a closed-back headphone. The overall sound is warm, with great bass response, a slightly masked midrange, and decent treble response.
The ATH-M50x is great fun, with a lively and vivid sound that delivers music with heaps of energy. The imaging is also good and you can at least tell the different directions of sound from different instruments.
There is liveliness thanks to good timing and a full-bodied delivery which gives it a quite immersive listen. The sound quality is warm with a controlled rumble that is just enough without being overpowering.
The midrange is well defined and well-integrated with the treble, which is smooth enough to avoid harshness. There is an extra punch added to the bass, this means that they are not the best choice if you want a neutral pair for a home studio.
There is also a bit of a boost in the higher part of the mids which gives them a brighter sound, even though they don’t have a very pronounced output in the tremble, which helps them largely avoid any challenging harshness.
All in all, the ATH-M50x offers an enjoyable listen where vocals and instruments are given a good deal of texture and are nicely separated on a well-organized soundstage.
What we like
- Decent isolation with a powerful bass
- Outstanding value and cable selection
- Better than average portability and have a sturdy built
- Lively, engaging sound with decent detail, good separation, and overall great sound.
- Good for EDM and Can be used as a reference headphones or for general listening
What we don’t like
- Materials and durability
- Isolation could be better
- Proprietary headphones connector
- Could do with greater clarity and dynamic punch
- Bass is somewhat overemphasized and they do not have a completely neutral sound signature
- Sensitivity;98 dB
- Driver size; 45mm
- Impedance; 38 ohms
- Driver type; Dynamic Driver
- Headphone weight;285g/10oz
- Frequency Response;15-2800Hz
- Headphone type; Over-ear, closed-back
Connections and Accessories
The packages come with 3 different cables, ¼ inch adapter, and a drawing string storage pouch you can use to carry the headphones around.
It comes with 1.2- coiled cable, a 3 m straight cable, and lastly a 1.2 m portable cable
All the cables feature a 2.5mm TRS connector which has a proprietary design due to the locking groove.
What is the Bottom-line?
They are well built and are sturdy, great sound and also very comfortable to wear. If you are looking for a portable pair of over-ears and you like your sound a little warm for the money the Audio TechnicaATH-M50x comes highly recommended
3. Sony MDR-7506 – Best value
If you are currently on the hunt for an expensive set of reference headphones, you will have a long search on your hands to find anything as good as the Sony MDR-7506 for the price.
If you are not one to sweat so much about looks, then these are the perfect pair of great sounding headphones for the Money.
- Great Sound Quality
- Great for beginners
- Excellent value for money
- The long cable is perfect for studio use
- 10 foot long cord not ideal for commuter
- No Bluetooth connectivity for wireless listening
The MDR-7506 has been the world’s most popular professional headphones for many decades. Their presence has been constant in recording studios around the world for a long time.
The Sony MDR-7506 headphones have and continue to be highly regarded among audio professional .They are also hugely popular with the average consumer because they are light, small, and rugged, sound pretty good and are is extremely sensitive.
This exceptionally sensitive closed, isolating headphone is great for travel and monitoring professional field recordings and are also good to use with DSLRs, iPods and portable digital and video recorders.
The Sony MDR-7506 are wired headphones and have no Bluetooth or any other kind of modern day connectivity .These headphones are purely built for reference listening and focus purely on this and nothing else.
They only weigh eight ounces, so are lighter than the average full size over ear headphones.
The Sony MDR-7506 are the best and most abuse proof headphones there are for making sure you got good audio while you are recoding it.
They also do a good job at isolating outside noise and they leak very little sound to the outside. This makes them excellent for field use to be sure that your audio is clear, that you have no noise or rumble.
They can fold for carrying and you can even flip over the earpieces to use just one side at a time held to your head if you are singing in a studio with live performers, which makes them very portable.
The headphone have slide adjustments on the side which click into place and you do get plenty of room so they should be able to accommodate anyone no matter the shaped or size of their head.
Design and Comfort
They come with a simple design and are subtle enough on the head that you can wear them outside without feeling stupid.
The build is tank-like, impressive for the price. The cable is metal and it has less plastic but still manages to be lighter.
The ear cups are made of solid aluminum and the headband is metal under the padding.
The housing can be folded for mobility on the go with plastic blue and red “L” and “R “symbol on the left and right sides and ear cup padding is made of some type of synthetic leather like material and foam.
The headband is plushy padded and springy enough to provide a good clamp without any irritating pressure which makes the MDR-7506 exceptionally comfortable.
At just 8 ounces, you can put this Sony headset on and listen for hours and hours without ever feeling the need to take if off.
These just fit and the racetrack-shaped ear pads and the headband has just enough padding to feel comfortable without overwhelming your ears.
The headband has a wide range of adjustment, with 11 total levels of adjustment on each side.
The MDR-7506 headphones have always been about studio monitoring, it what they are designed for, the noise isolation is particularly good with these headphones as they do a great job of blocking out the surround noise.
All in all, solid build headphones for the price.
The Sony MDR-7506 has a consistent, detailed studio- style response and sound awesome for the price range.
The 40mm drivers sound great with the headphones exhibiting 60-ohm rated impedance.
The bass, mid-range and tremble balance is for the most part extremely accurate and just about every music genre from hard rock to jazz to classical sounds great.
They do have a moderate midrange peak, but have unusually clean, deep and extended bass response without any booming.
It is a headphone designed for production. It reveals all the details, and all the flaws
The low end is precise and pleasantly deep. Still, this is not a sound that everyone will find relaxing, especially for long periods or at high volumes.
A point to note is that these headphones are very sensitive, so don’t plug them into an amp and crank it all the way up.
The tonal balance is almost perfect with no flaws and they are excellent reference headphones which allow you to hear a lot of the nuances in your music.
The bass, mids and tremble are just some of the highlights that Sony has long since perfected on the MDR headphones.
The Sony MDR-7506 headphones do sound great with any genre of music, particularly music with vocals or anything with heavy beats.
The isolation is also surprisingly good for such a small and light headphone. It is not as good as something with Active Noise Cancellation, but a passive isolation goes.
What we like
- Great sound for reference headphones and excellent audio performance across musical genres.
- Very comfortable to be worn for extended periods of time and have a proven history of durability and performance.
- They are hard- wearing
- 10 foot long cord is great for the office and home and an included ¼ inch adapter is good for Djs and Hobbyists.
What we don’t like
- Cable connection limited to left ear only
- Low end favors booming bass over accuracy
- Padding is not plush as some competitors and the design is a little old fashioned
- Ear pads require occasional replacement and there is Ear fatigue after long periods of time
- 40 mm diameter driver
- Neodyminium magnet
- Oxygen copper wire cable
- Copper clad aluminum voice coil
- Around the ear, isolating closed headphones
Connections and Accessories
The box comes with the headphones, carrying pouch service manual and a warranty card. You also get a coiled cable which stretches out to about 10 feet which is not detachable. The cable terminates in a 3.5mm connector and it includes a 6.5mm screw on adapter.
What is the Bottom-line?
Where Sony MDR-7506 really shines at is giving you a very accurate and smooth presentation of whatever it is you are listening to.
If you are looking for the most accurate reproduction of sound you can get at this price point, whether for professional or personal use, then these are the perfect headphones
4. Sennheiser HD 650 Headphones – Best for Audio Engineers
The Sennheiser HD 650 headphones are great for audiophiles and professional producers because of their amazing frequency response and high- quality build, but they may be priced too high for the average consumer.
- Good Price
- Solid build quality
- High-quality sound
- Comfortable to wear
- Sleek, professional design
- Tight, clamping fit
- Not the Most durable headphones out there
Sennheiser is part of the leading group when it comes to the manufacturing of audio equipment and they have since made a reputation for producing undeniable quality for 75 years ever since it has been founded.
One of their Masterpieces is the Sennheiser HD 650, an open-back headphone that produces unique natural sound and at its core, it prioritizes sound quality above all else with a focus on the construction of the drivers.
These headphones contain dynamic drivers and aluminum voice coils which combine to produce studio-quality, natural sound, and the full full-size open-back ear cups which deliver smooth and accurate sound with a relaxed mellow tone.
The Sennheiser HD 650 headphones are meant for audiophiles and music producers. They are great for mixing and mastering and are well suited for acoustic music of all types and for people who want warm and rich detail.
These do come with a detachable headphone cord means it is easy to upgrade to higher-end cables.
The specially designed acoustic silk ensures precision damping over the entire frequency range and helps reduce total harmonic distortion to an incredible 0.05 % and improved frequency response for a much richer sound.
Hand-selected matched driver elements with high-power neodymium magnets deliver maximum efficiency and lightweight aluminum voice coils for a fast transient response.
Design and Comfort
The Sennheiser HD 650 is very comfortable to wear because they are lightweight and fit very well with almost any head size. They do not cause headaches by creating too much pressure for your ears and temples making them a great choice if you plan extensive mixing sessions.
These headphones come with massive ear cups that measure also most 4.5 inches at their longest point and are in effect just squashed ovals.
The headphone tilts them backward on each ear to give a more natural look and a more standard fit.
On the outside of each cup, there is a metal mesh cage that both protects and shows off the intricate driver construction inside.
The Sennheiser logo is screen-printed along the top of the headband and the HD 650 model number and the ear cups are a slightly darker shade of gray, allowing for a bit of contrast.
The earpads themselves are made of very soft, velvety materials that provide a nice touch around your ears.
The headband is covered in plastic, mostly to help achieve 0.57-pound weight, but it’s sturdy and rigid, and the inside the headband is the guiding metal band which means that the size adjustment will last a good deal of time.
These headphones are very comfortable, they are open-back meaning the ear cups are not domes of plastic, but rather create larger breathable space around your ears this creates a nice stable fit that clings well and easily stays on your head.
Overall they have a premium build quality to them and the silver titanium finishes both enhances the looks of the headphones, as well as contributes to their durability.
The Sennheiser HD 650 is pretty much the most neutral headphones on the market and the fact they have an open-back design means that you will get a refreshingly realistic sound stage.
Sennheiser is true experts at offering headphones with matched left and right drivers so that soundstage stays consistent across different frequency regions.
Thanks to their neodymium ferrous magnets and lightweight aluminum voice coils, which combine perfectly to offer an accurate and distortion-free sound response.
The accuracy is the key point here because these headphones are designed as studio monitors with a flat response.
This means you will not have any bass accentuation as you would with consumer headphones, nor will you have cutting highs like you would in earbuds and telephone headsets.
Even the subtlest audio will be discernible with a naturally balanced sound so you will hear each recording exactly as the musician intended it to be heard.
They have not been tuned to boost low-end notes, so you will not get a heavy, unnatural sounding bass when listening to them.
The sound that the HD 650 affords is distinctive with nice punchy bass, clear midranges, and fantastic tremble.
Nothing gets boosted, so these headphones give off correct sounding music precisely as they sound throughout studio recording.
The Sennheiser HD 650 has a tendency in the direction of too warm, which means that the highs are slightly suppressed in comparison with different headphones.
They are void of any coloration, there are not any peaks or valleys of their response and they are exceptionally clean.
The HD 650 headphones drivers are hand-selected matched elements that have precise left and right matching tolerances for a near-perfect sound balance.
What we like
- Handles connection almost perfectly, translates well among different listeners, and is not too sensitive to positioning changes on one’s ears.
- Great sound out of the box without harsh high frequencies and boosted lows Matched left and right channels
- The memory foam ear cushions have been covered in velour and sit comfortably around your ears, offering supreme comfort
- The price is reasonable considering that getting audiophile headphones of the same standard can cost you a lot more.
- Excellent transient response from light aluminum drive coils
- Specially developed acoustic silk keeps harmonic distortion down to 0.05%
They have been turned to offer natural sound which is why they are perfect for studio engineers or audiophiles who want their music to be honestly reproduced, without the artificial of specific tones
What we don’t like
- They are not made to be worn for a daily commute
- The open-back design allows for sound to bleed in but since they are designed to give a natural sound, this is not a negative as long as you are wearing them in a quiet environment
- Type; Open back, Over-ear
- Impedance; 297 ohm
- Frequency Response;12 Hz to 40.5 kHz
- Connector; 3.5mm stereo jack
- Weight 260g
- Require headphone amp
What is the Bottom-line?
Sennheiser HD 650 is made for music producers or anyone with a home studio who is looking for top-quality studio monitoring headphones.
These headphones are an excellent example of why the company is so well-regarded by audiophiles and music enthusiasts around the world.
The HD 650 is one of the most relaxed, best sounding headphones when compared to other similar headphones. If you are on the market for new headphones and want something that will give you many hours of listening pleasure at an affordable price, then these are worth a closer look.
5. Sennheiser HD 280 Pro – Best Budget Choice
The Sennheiser HD 280 Pro headphones give great comfort and durability in addition to excellent noise isolation. These are definitely on the top pick for headphones on a budget because they will blow your mind away.
- Adjustable headband
- Excellent noise isolation
- Professional build quality
- Great for monitoring at low volume
- Poor quality cable
Sennheiser is well known as one of the best manufactures of headphones in the world. This is a brand that has been on the market for years and because of their high-quality products and awesome audio solutions over time, they have managed to build a loyal following.
Their headphones have been providing tough competition to those high-end brands.
The Sennheiser HD 280 Pro headphones are a redesign of a set of headphones that have been in the Sennheiser product lineup for years and their main focus is on durability, comfort, and sound performance.
These particular headphones are designed for professional studio monitoring, but their high sensitivity and low impedance makes them suited for a range of listening applications, including as headphones for listening to vinyl records.
The core of Sennheiser HD 280 Pro is a pair of very capable drivers. They do come with a 3.5 mm headphone jack who makes them compatible with different electronic audio devices such as MP3, iPod, DVD, and CD players.
Design and Comfort
Sennheiser has taken comfort into account by designing incredibly lightweight headphones, the soft padding provides a secure, tight fit and snug. They are so comfortable that you will not remember that you have them on.
The padding around the ear cup fully covers the outside of the ear providing a great seal for increased bass response and noise isolation
With 32 dB of passive noise isolation, these closed-back headphones have one of the best noise attenuation ratings when compared to other headphones.
They are made from high-grade, heavy duty plastic but have a robust construction and are topped off with a matte finish, for a low profile look.
The collapsible design which makes for a great user experience allows you to collapse them for safe transport plus the newly redesigned headband takes the comfort level up a notch.
It comes with a compact folding design. The ear cups both pivot to fold flat or they can be folded into the headband for a sturdy package that can be packed in a backpack or gearcase.
The ear cups attach to the headband with a hinge and swivel design that allows extra flexible range. The newly redesigned headband makes this pair very comfortable to wear for long hours
There are also a couple of pads on the sides of the cutout, both of which are larger than on the previous model and feel very supportive and soft to the touch. The spacious design prevents your ears from making contact with the inside of the cups.
Overall the comfort level is great and it feels like you are wearing a high-quality set of headphones.
The main selling point of the Sennheiser HD 280 Pro headphones is their natural sound despite a few imperfections it beats almost any competing models.
The soundstage and imaging of the Sennheiser HD 280 Pro are very enjoyable, you will realize that the highs and mids are well balanced and create a beautiful musical experience irrespective of the genre of music you will be listening to.
Wearing these headphones while you are mixing allows you to hear absolutely everything going on within your tracks, your production, or your DJ sets.
Every note and response range is crystal clear and includes rich and significant low sounds clean and crisp mids, and highs that resonate and focus on clarity like no other pair of headphones can provide.
The bass is not too strong which is good for a lot of critical listening environments but not for bass heads plus the highs
and mids are balanced, articulate, and blend nicely for a wide variety of music genres.
This will allow you to make much more accurate EQ changed that will only enhance the quality of your mix.
The closed-back design of the Sennheiser HD 280 also makes them suitable for listening in loud environments, such as your local coffee shop, a recording studio, or during your commute or public transportation since it does provide passive noise isolation.
One thing to keep in mind is that these headphones do also struggle with bass-heavy tracks at higher volumes but they offer a good frequency response too, ranging from 10 to 20, 000Hz.
What we like
- Deliver nice and clean sound
- They are designed to be extremely comfortable, durable, and lightweight, they feel like you are not wearing headphones at all.
- These headphones can be folded away and stored in a protective case to ensure they last and are no hassle to transport around with you.
- They offer a fantastic frequency response range that allows you to hear all the sounds you are listening too with complete clarity and absolute precision and accuracy
- The superior sound isolation technology actively blocks out up to 32db of external sound thanks to the physical design of the headphones.
What we don’t like
- Bass distortion and loud volumes
- Lack of active noise cancellation
- A heavy coiled cable can stain connectors and the permanent attached cable limits usability when you are on the go
Connections and Accessories
- Sennheiser headphones
- ¼ stereo adapter screwed onto 3.5mm plug
- Coiled audio cable
What is the Bottom-line?
Their design allows them to isolate well and makes them more comfortable for prolonged use, good quality soundstage, and are affordable. If you are looking for headphones that use easy to use for home listening then try the Sennheiser HD 280 Pro.
Best Headphones for Music Production Buyers Guide
The question you might be asking is in your head might be; Are Music production headphones any different?
Yes, they are different is away comparing to regular headphones that tend to improve the audio quality in a way that you get to enjoy your favorite music better.
When it comes to studio headphones you will tend to get a flat or linear frequency response with far better balance and accuracy.
A studio set will typically have more extensive frequency response monitoring and be able to work at a higher resolution for better fidelity and to be compatible with the resolutions use in DAWs.
There are so many things that you need to keep in mind when choosing the right headphones for music production.
The other thing to take into account is that there is not just a type of headphones called “studio headphones” other references to them as “audiophile or referencing” headphones
Your choice is going to be based on a few factors; do you want headphones for Mixing, Mastering, recording, and arranging or what sort of music are you looking to working on?
1. Type of Headphones (Closed vs. Open-back)
Closed-back music production headphones
If you are to look into closed-back headphones you will realize that they have ear cups that are completely closed off. This makes it able to offer great sound isolation because the soft foam pad forms a seal with your head around your ear; the sound has nowhere to go so it stays inside the ear cup.
Due to this sound isolation, the overall sound is tighter and more focused and as a result, the bass frequencies might be slightly exaggerated. The soundstage and stereo separation doesn’t sound as wide and open.
Closed-back headphones seal the sound within the ear cups and you can turn these up as loud as you would like and know you are not disturbing other people in the room.
If you are producing in a noisy environment, outside noise will be kept out and people won’t be able to hear what you are listening to.
When it comes to pro audio, closed-back headphones are especially good for recording and arranging music. They also make great sound design tools, since you will be up close and intimate with all the sounds you will design within your DAW.
The downside is that it traps pressure inside the headphone which may cause a false perception of low frequencies.
Open-back headphones have ear cups that are not closed off. The part of the ear cup opposite your ear, the one that faces the outside is open, meaning that instead of sound staying contained within the ear cup, it can travel outwards.
When you are in a quiet environment, open-back headphones can sound significantly better. That is because everything will sound more airy and natural, and sound space can seem like it’s huge.
Since they do allow sound to radiate outward this makes them provide a natural “airy’ sound.
When you are listening to open-back headphones it feels like listening to speakers in a spacious environment, like a room. You will generally get a more realistic sound stage and stereo image in them.
For this reason, they are the go-to choice for mixing and mastering engineers.
2. Design and Comfort
This is something that one has to seriously consider since a professional you are going to stay with headphones on for prolonged sessions.
Padding is the number one solution you need to consider for your safety and comfort, you should choose for headphones with high-quality ear pads that will not only block the surrounding sounds but will also keep your head and ear protected.
You want comfortable headphones that you can wear for hours at a time. Therefore you will be looking for a comfortable headband. This includes full adjustability, breathable, plush cushioning, and padded low clamp pressure headband with good flexibility, swivel ear-cups, and low sound pressure levels.
Ensure that they provide an adequate level of comfort for those hours you will spend editing.
When it comes to fitting, first try them on before buying to see if they are what you are looking for. The idea is to choose headphones that are not too tight on your head as they cut off blood circulation and cause fatigue and head pains in the longer term.
If the ear cups can rotate, that is a plus because it is easy to store and transport.
If you are one to easily destroy headphone parts then find a pair with easily removable parts to replace. We suggest you get detachable ear pads; these can be easily replaced with new ones which will dramatically reduce your cost in the long run.
3. Sound Quality
If you are working in music and sound production, the majority of the time you need to hear what something sounds like so you can give feedback on whether or not the sound quality needs to be improved.
A good pair of studio headphones will render sounds as neutral as possible, being able to show every flaw in a song, in a sound bite, or any other snippet of sound.
It will also allow you to hear background noise, distortion, the faintest of bad edits and cuts, and other imperfections.
Sound engineers need to hear all of this stuff because they are essentially building the sound profile for whatever it is they are producing. High resolution with a flattened, natural, linear response is paramount for analytical listening.
A good sound performance headphone means enjoying good transparency when it comes to sound and receiving a neutral tone. You will want your headphones to offer good frequency range and sensitivity.
Most of the time with headphones the quality delivered is often related to the price you are willing to pay. To get your money’s worth you need to search for a pair that will offer a flat frequency response along with great clarity of sound.
4. Impedance and sensitivity
Impedance refers to the amount of resistance in an electrical circuit.
Headphones like consumer headphones and earbuds have far lower impedance, meaning that they need more current to run.
The best headphones for music production should present low-value impedance, this is because it will have no issues staying in sync with devices that operate on low voltage.
When there is high impedance, the sound you will hear will have high distortion which is something you don’t want when you are using headphones for production.
When there is more voltage driving the headphones, there is less electrical current needed to drive the audio signal. The result is a purer sound in the headphones.
Make a note of the frequency response, but don’t base your buying decision on it.
Since no headphone has a completely flat response, the curve shows where on the spectrum they have any peaks or dips you need to be aware of.
5. Wireless VS wired
The biggest problem with cords is they tend to tangle because of the length required within a working studio environment and range of applications.
It is better to consider a single-sided entry cord over a Y-leads, which arguably is less prone to tangling but double the entry points and therefore double and the weak points increasing the potential for damage.
Various items still come with long wires that need to be inserted into your laptop or PC.
There is the other option of Bluetooth connectivity, choosing depends on your convenience and daily use.
6. Intended use
Your intended use of the headphones as well as your level of experience, kind of ties everything together.
If you produce electronic dance music on your laptop and you frequently travel and produce on the go, delicate open-back headphones don’t make much sense. A nice durable pair of closed-back cans is what you should aim to get.
7. Sound Isolation
One other aspect you need to take into account is the ability of headphones to completely isolate the surrounding sounds.
This will long a long way in helping you create new sounds and focus on each tonality better but also keep you away from surrounding distractions.
A pair with poor isolation can also interfere with your recordings, causing a distortion.
If you made it this far clap for yourself my dear, I know the review was long but I tried my best to give you all that you need to make the best choice.
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Have an awesome day!